
In 1933,
Betty
Boop appeared in this cartoon with none other than Don Redman, the
quiet
little genius who revolutionized jazz in the 1920s and 1930s,
skillfully
combining arrangement and improvization to produce a unique sound that
eventually led to the Big Band era.
The cartoon
begins with live footage of Don Redman and His Orchestra performing
Don's
composition, Chant of the Weed, in front of a backdrop consisting of
Betty
Boop's Saloon with animal customers. (Chant of the Weed was one of Duke
Ellington's favorite pieces, and influenced many of his later
compositions.
) At some point the animals' heads start bobbing and the band starts
swaying
to add to the surreal atmosphere of the scene.
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| Don Redman
and His Orchestra introduce the cartoon. |
Don Redman and His Orchestra start off with "Chant of the Weed." |
When the
animation
begins, Don's orchestra switches to the lively, upbeat tune, How'm I
Doin'?,
another Redman composition. We see men busy at work at the Never Mine,
a coal mine, while a steam whistle in the foreground punctuates the
rhythm
of the melody with some blasts to announce lunch break. The whistle
then
pulls out a lunch box and begins its own lunch.

We then see a series of
typical Fleischer animal gags (giraffe escalator, spider elevator,
snake
bus) as the workers come up out of the mine to have lunch at Betty
Boop's
saloon. The miners pass through a shower to clean off before entering
the
saloon.

In the
Saloon,
the miners are eating. Don Redman provides the voice for a dog waiter,
singing in his quiet, half-spoken style:

I know a gal named Betty Boop,
My, how she can boop-boop-boop-a-doop;
She loves to dance,
She loves to sing,
In fact, Betty'll take a chance on most any old thing.
Most every night right in this hall,
Just let that music play,
See, Betty'll get out on that floor,
This is what she'll say.
Some miners
call
out, "What'll she say, Don?" and Don says, "Oh, she's got plenty to
say!"
Betty Boop comes down the stairs,
singing, with mice providing the backup:

Oh, how'm I doin'?
[Mice:] Hey, hey!
Twee-twee-twee-twa-twa!
Oh, how'm I doin'?
[Mice:] Hey, hey!
Oh, gee, baby, oh sure!
Now, I'm not braggin', but it's understood,
Everything I do, I sure do good,
Oh, how'm I doin'?
Hey, hey,
Twee-twee-twee-twa-twa!
Don as the
dog
waiter then takes over the song:
How'm I doin'?
Hey, hey,
Twee-twee-twee-twa-twa!
Oh, how'm I doin'?
Hey, hey,
Oh, gee, baby, oh sure!
Now, I'll admit I'm not the best in town,
But I'll be the best till the best comes 'round,
How'm I doin'?
Mmmmmm, weh!
How'm I doin'?
Say, hey!
Tweetin' twattin' myeh, myeh, myeh!
How'm I doin'?
Hey, hey,
Twee-twee-twee-twa-twa!
Oh, how'm I doin'?
Hey, hey,
Oh, gee, baby, oh sure!
Say, I only meant to do a little bit,
But you made me like it and I just can't quit,
Oh, how'm I doin'?
Hey, hey!
Twee-twee-twee-twee-twa-twa!
During this
song,
we see the usual sorts of Fleischer restaurant gags: a beaver cooks
pancakes
on his tail, a bloodhound cranks his jowls up into a smile to show
appreciation
for Betty's performance, the dog waiter spins his tray and sends drinks
flying to the customers, an ostrich is done in by a heavy doughnut and
so on.

> Betty Boop
then
takes over the song, singing:
You know, he said that she said,
But he didn't say where she got it,
But if she said what he said,
I think I'm going to stop it.
Yes, I heard,
It wasn't told to me,
I only heard.
Betty
rushes
to the dumb waiter (which has a dumb-looking waiter in it), and uses it
to travel down into the mine.

The rope breaks and Betty has
a hard landing
on top of Bimbo, which results in her dress transferring itself to him,
leaving Betty in her underwear.

Bimbo returns the dress, and
pushes Betty
(by her butt) to the hole in the wall that he had opened earlier.
Looking
inside, they see a team of ghosts playing baseball with a bomb. The
ghosts
hurl the bomb to Betty and Bimbo, and then come after them. One ghost
loses
its sheet and we see its skeleton.

The bomb gets tossed back and forth, and finally ends up on top of the elevator that Betty and Bimbo are riding in to escape the mine. At the surface, Bimbo sees the bomb, and sends the elevator back down into the mine. The resulting explosion hurls coal and ghosts into the air. Betty neatly catches the coal in coal cars, and Bimbo catches the ghosts in a series of graves that he opens with a lever. The cartoon ends with a few bars of Chant of the Weed.
The animation in this cartoon is not particularly remarkable, although the steam whistle is very funny. The gags are fairly standard Fleischer gags. What makes this an outstanding cartoon are the compositions and quiet vocals provided by Don Redman, and the superb accompaniment by his orchestra. Very little film footage of Don exists, and every bit of it is to be treasured.

This cartoon is available in the following collection:
Return to the Heptune Guide to Betty Boop Cartoons.Published 10/16/00.